A Sense of Direction

More play of Elden Ring has led to more thinking about how it handles quests. Elden Ring is not filled with quests in the same way that games like Skyrim,The Witcher 3 or Baldur’s Gate are filled with quests. You can explore lots of locations, but mostly, you don’t have a reason to go into them except “because they’re there”. But Elden Ring does have … Continue reading A Sense of Direction

Buying Magic Items – Revisiting Xanathar’s

I am quite fond of the downtime activities in Xanathar’s Guide to Everything, and I have used them extensively in my Monday night campaign (the Weekend Adventurers game). However, there are a few points where I have found them lacking. In particular, the way that you purchase magic items. I never allow the players to select an item and just buy it. It’s always a … Continue reading Buying Magic Items – Revisiting Xanathar’s

Expanding Crime (Downtime Activity)

One of my players – a bard – asked if he could extort shop owners during his downtime. The rogue is already stealing from them, so why not extortion and blackmail? The “Crime” downtime activity – as given in Xanathar’s Guide to Everything – requires three checks with random DCs. It basically represents a burglary. For Blackmail, those checks don’t make sense. So, let’s uses … Continue reading Expanding Crime (Downtime Activity)

A Little Quest – Notes on Improvisation

My Monday night Greyhawk campaign is currently using a format that we’ve dubbed “Weekend Adventurers”. That is to say: each session is what happens on the weekend. The party then go back to their regular jobs for the rest of the week. That is, they have a week of downtime between each session, which they might spend working or pursuing other activities. The rogue of … Continue reading A Little Quest – Notes on Improvisation

Bad Design: The AD&D Monk

In my last essay, I discussed the relationship between hit points, armour class and the survivability of the character. It occurred to me that in Dungeons & Dragons 5E, Armour Classes exist in a fairly narrow range and are achieved by two primary methods. Either by having a good Dexterity and wearing light armour or by wearing heavy armour and caring not about Dexterity. A … Continue reading Bad Design: The AD&D Monk

The Tension between Armour Class and Hit Points

Players looking at the original form of Dungeons & Dragons may be surprised to discover how little Plate Armour costs. You could get the best non-magical Armour Class as a starting character. I find this interesting. In the beginning, a level 1 character had 1d6 hit points. If a monster hit you, you would take 1d6 damage. When you reached 0 hit points, you died. … Continue reading The Tension between Armour Class and Hit Points

Actions, Rewards, and Consequences

I delight in running all levels of Dungeons & Dragons. You can always throw exciting challenges at the party, and they can always surprise you with their solutions. I find nothing better than setting a challenge without knowing how to overcome it and watching the players invent something in front of my eyes. As the DM, you are the interpreter of the adventure environment. Use … Continue reading Actions, Rewards, and Consequences

A Sense of History

I have been spending a lot of time listening to podcasts and reading books on history over the past couple of years. The history of revolutions. The history of Rome. The history of the late medieval period in Europe and the transition to the modern world. The study of the Late Middle Ages is of particular interest to me because of Dungeons & Dragons and … Continue reading A Sense of History

First-level Dungeons & Dragons Adventures

I love running low-level adventures for Dungeons & Dragons. The early levels of the game can provide memorable experiences. However, there are things I dislike seeing in adventure designs for that level of play. I do not enjoy it when first level is one incredibly dangerous combat and that’s it. I am also not particularly fond of party fighting a lone boss monster at level … Continue reading First-level Dungeons & Dragons Adventures

More on High-Level Play in Dungeons & Dragons

My basic strategies for high-level play are as follows: Make the action feel significant Let the characters feel powerful Pump numbers (AC, damage, to hit bonus) if they’re not sufficient. Keep challenges different Make the action feel significant The basis for the closing stages of my Greyhawk campaign is this: A war has started between Ket and Veluna. Due to escalating events, the gods themselves … Continue reading More on High-Level Play in Dungeons & Dragons